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https://www.dallasnews.com/arts/books/2017/04/25/harry-hunsicker-interview
EXCERPT:
By Joyce Sáenz Harris
Dallas native Harry Hunsicker leads something of a double life. In his day job, he runs his family business as a commercial real estate appraiser. But in his spare time, he writes Texas-centric thrillers.
“My day job has meant that I have been to just about every corner of the city, places most people don’t know exist,” Hunsicker says. “That’s what really colors my writing, the starting point of almost every story, the sense of place that a vibrant town like Dallas has to offer.”
In his newest book, The Devil’s Country (Thomas & Mercer, $15.95), Hunsicker introduces a new protagonist: a former Texas Ranger from Dallas. Arlo Baines gets off the bus in a dusty West Texas town and finds himself in the middle of a mysterious, cult-related murder, with two kids’ lives in the balance.
Hunsicker’s story moves at a relentless pace, with all the twists and surprises his readers have come to expect. Fans will have the chance to meet Hunsicker at the Dallas Book Festival on Saturday, April 29. We asked him to do this Q&A in advance, via email.
Before this, you published your first three-book series, the Lee Henry Oswald Mysteries, and more recently a second three-book series, the Jon Cantrell Thrillers. So, with a new protagonist in The Devil’s Country, have your readers seen the last of Hank and Jon?
Never say never, but the natural rhythm of my characters seems to follow the trilogy format. I never understood authors who stopped writing series books, complaining about where to take their characters next, until I sat down to work on the second Oswald book, The Next Time You Die. On page one, I got it. There are only so many emotional arcs you can put a character through before his/her reactions seem stale and unrealistic.
The Devil’s Country introduces Arlo Baines, a former Texas Ranger who is a damaged soul with a tragic recent history. Why did you decide to make Arlo a Ranger rather than a PI?
I wanted to try something new. Also, I have always wanted to write a police procedural, but since I have no law enforcement background and too much research tends to bog down my writing, I figured an ex-cop was the next best thing. In terms of Arlo Baines’ character, I wanted him to be completely cut off from his old world — family, job, even where he lives — so he had to be an ex-something. After thinking about the setting, the badlands of West Texas, I decided it made sense for Arlo to be an ex-Texas Ranger, drummed out of the corps, so to speak.
There are some personal things about Arlo that we still don’t know by the end of this book. Will his loved ones’ names surface with more of his memories and secrets in a future Arlo novel?
Yes, without a doubt. Arlo is forever scarred by what happened to his family. The events that preceded his appearance in The Devil’s Country have altered him in many ways, his worldview, the way he interacts with others, etc. Put simply, Arlo has more baggage than a luggage store.
For the rest of the story, visit:
https://www.dallasnews.com/arts/books/2017/04/25/harry-hunsicker-interview
EXCERPT:
By Joyce Sáenz Harris
Even for fans who are well-acquainted with the work of Dallas native Stephen Tobolowsky, his new book, My Adventures with God, is a bit of a surprise: an exploration of his midlife return to the Jewish faith.
PHOTO: Jim Britt
Tobolowsky is a graduate of Justin F. Kimball High School and Southern Methodist University. In the past three decades, he has become a beloved character actor who displays both comedy and drama chops in more than 100 films as diverse as Groundhog Day and Mississippi Burning. He’s been on more than 200 TV shows ranging from Deadwood to Glee, most recently Silicon Valley and The Goldbergs. He also tells stories on the popular podcast The Tobolowsky Files.
Tobolowsky, who lives in Los Angeles, will return to his hometown to celebrate the publication of My Adventures With God (Simon & Schuster, $25) on Tuesday, April 18, with an appearance at the Dallas Museum of Art as part of Arts & Letters Live. He answered questions by email; here are highlights.
Like your 2012 book The Dangerous Animals Club, My Adventures with God is a memoir with a lot of Dallas and many laugh-out-loud moments. But the spiritual aspect often takes it into a more serious realm.
Simon and Schuster asked me if I could write a book on faith. When I was grasping for a premise for My Adventures with God, I came up with something that turned out to be truer than I first imagined: Our lives often fit the template of the Pentateuch, the first five books of the Old Testament.
We all have a Genesis. This is usually what we talk about on a first date: who we are, where we came from, our aspirations. Then, like in Exodus, we go into slavery. Instead of building pyramids, we lose ourselves in the desperation of first loves, first jobs. Some are trapped by drugs and alcohol, others by graduate school.
Then we escape and have our Leviticus moment. We stop and say, “This is what I am.” This is when I married Ann. When I became a father. When I returned to Judaism. Then we are shaped by mortality, as in the Book of Numbers, as we lose family and friends. And finally, we get to a place of perspective: Deuteronomy. It is here when we tell our stories to our children and try to make sense of the journey.
You were in seventh grade when President John F. Kennedy was assassinated in Dallas, and you write that “for those few days, history pulled back the curtain and showed us all how close we are to the edge of nothing.” Have you had any other occasions like that, such as 9/11?
Once you are aware of how delicate civilization is, you see its potential downfall everywhere. Usually in lies. They can be big lies from people in power — or the lies we tell ourselves. It doesn’t take anything as cataclysmic as 9/11. As my mother said, “Don’t break your word. You only get one. When you break it, it’s hard to get it back again.”
For the rest of the story, visit:
https://www.dallasnews.com/arts/books/2017/04/12/dallas-stephen-tobolowsky-faith-new-book-everyones-old-testament-lives
A conversation today on Facebook reminded of a column I wrote back in 2002, about the classic Jimmie Dale Gilmore tune “Dallas.” It’s probably the most famous song ever recorded by The Flatlanders, a Texas trio of lifelong friends from Lubbock: Jimmie Dale, Joe Ely and Butch Hancock.
I’ve always thought the song nailed the character of Dallas in a number of telling ways. So here’s the column again… and if you want to hear the song sung by Jimmie Dale himself, here’s a YouTube link.
***
JOYCE SÁENZ HARRIS, Staff Writer
Published: May 19, 2002
(c) The Dallas Morning News
The topic at lunch (and don’t ask me why) was: What kind of a beautiful woman would Dallas be?
Dallas is like a beautiful woman … with a hangover?
With a Bible?
With Manolo Blahniks in a Neiman Marcus bag?
We never quite decided. The conversation moved on to what the members of the Algonquin Round Table would talk about if they were around today.
After lunch, however, I realized that one Texan has already described the kind of beautiful woman Dallas would be. He did it 30 years ago, in fact. I heard him sing about it just last autumn.
Jimmie Dale Gilmore’s song “Dallas” never made it to the top of any charts in 1972. It was the lead-off tune and lone single from an album by a Lubbock trio called Jimmie Dale Gilmore and the Flatlanders. The project got a dismal, half-hearted release in eight-track format and promptly vanished from all commercial view.
But Jimmie Dale Gilmore and his fellow Flatlanders, Joe Ely and Butch Hancock, did not vanish. They went on to become three of Texas’ favorite singer-songwriters, each with his own cultlike following.
Meanwhile, fans in England rediscovered the trio, and the word spread back home. Eventually the Flatlanders album, a neglected stepchild of corporate Nashville, became the darling of music collectors.
Years later, the album – aptly retitled More a Legend Than a Band — was re-released on CD, in slightly reconfigured form, by Rounder Records. (Sun Records, which had produced the original release, also released the album on CD but called it Jimmie Dale Gilmore and The Flatlanders “Unplugged.”) Jimmie’s song “Dallas” probably got its widest exposure when he sang it as a duet with Natalie Merchant on Jay Leno’s Tonight show.
Today, the Flatlanders’ music is widely recognized for the traditional jewel it always was.
The band began performing together again in 2000 and at last has another CD, Now Again, being released Tuesday.
The trio is scheduled to play the Granada Theater on June 26 and will also be part of the “Down From the Mountain” tour at Smirnoff Music Center on July 20.
I saw the Flatlanders play at the Texas Book Festival last year in Austin. The literary crowd loved them; historian David McCullough, among dozens of others, two-stepped up a storm.
But a clear favorite among the Flatlanders’ tunes was “Dallas,” for the fans hummed and sang along with that one. This is how the opening chorus goes:
A careless listener might mistake this song as a hymn to our fair city. In a way it is, for if anything, Dallas is even more spectacular by night now than it was 30 years ago.
But the reference to “a jungle” should tip you off that something darker is coming. And sure enough, it does.
Now Dallas ain’t a woman to help you get your feet on the ground,
And Dallas is a woman who will walk on you when you’re down.
That’s the kind of a beautiful woman Dallas is, according to Jimmie Dale Gilmore.
Any number of local heroes and has-beens would likely agree with him that Dallas dearly loves winners and is mighty tough on losers.
The “middle eight” verse of the song could be sung by many Dallas newcomers, legal or otherwise:
If we do have an unofficial anthem, it’s probably Frank Loesser’s 1956 Broadway hit, “Big D,” from The Most Happy Fella.
But I suspect our fellow Texan, Jimmie Dale Gilmore, may have caught more of the way we really are.