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By Joyce Sáenz Harris

Dallas native Harry Hunsicker leads something of a double life. In his day job, he runs his family business as a commercial real estate appraiser. But in his spare time, he writes Texas-centric thrillers.

“My day job has meant that I have been to just about every corner of the city, places most people don’t know exist,” Hunsicker says. “That’s what really colors my writing, the starting point of almost every story, the sense of place that a vibrant town like Dallas has to offer.”

In his newest book, The Devil’s Country (Thomas & Mercer, $15.95), Hunsicker introduces a new protagonist: a former Texas Ranger from Dallas. Arlo Baines gets off the bus in a dusty West Texas town and finds himself in the middle of a mysterious, cult-related murder, with two kids’ lives in the balance.

Hunsicker’s story moves at a relentless pace, with all the twists and surprises his readers have come to expect. Fans will have the chance to meet Hunsicker at the Dallas Book Festival on Saturday, April 29. We asked him to do this Q&A in advance, via email.

Before this, you published your first three-book series, the Lee Henry Oswald Mysteries, and more recently a second three-book series, the Jon Cantrell Thrillers. So, with a new protagonist in The Devil’s Country, have your readers seen the last of Hank and Jon?

Never say never, but the natural rhythm of my characters seems to follow the trilogy format. I never understood authors who stopped writing series books, complaining about where to take their characters next, until I sat down to work on the second Oswald book, The Next Time You Die. On page one, I got it. There are only so many emotional arcs you can put a character through before his/her reactions seem stale and unrealistic.

The Devil’s Country introduces Arlo Baines, a former Texas Ranger who is a damaged soul with a tragic recent history. Why did you decide to make Arlo a Ranger rather than a PI? 

I wanted to try something new. Also, I have always wanted to write a police procedural, but since I have no law enforcement background and too much research tends to bog down my writing, I figured an ex-cop was the next best thing. In terms of Arlo Baines’ character, I wanted him to be completely cut off from his old world — family, job, even where he lives — so he had to be an ex-something. After thinking about the setting, the badlands of West Texas, I decided it made sense for Arlo to be an ex-Texas Ranger, drummed out of the corps, so to speak.
There are some personal things about Arlo that we still don’t know by the end of this book. Will his loved ones’ names surface with more of his memories and secrets in a future Arlo novel? 

Yes, without a doubt. Arlo is forever scarred by what happened to his family. The events that preceded his appearance in The Devil’s Country have altered him in many ways, his worldview, the way he interacts with others, etc. Put simply, Arlo has more baggage than a luggage store.

The Devil’s Country’s narrative thread weaves back and forth between what’s happening to Arlo in the West Texas town of Piedra Springs and what happened to him in the past, particularly nine months before when tragedy struck. This shows us why Arlo is where he is both physically and emotionally, but how tricky was it to write the dual narratives? 

I like books with multiple points of view, but I am a better writer when I stick to the first person. So it just seemed very natural to write from two different Arlo perspectives — the current-day and nine months before the story began. That was much easier than writing from the point of view of two different people.

Your mother was the late Dallas jewelry designer Foree Hunsicker. How was your creativity encouraged when you were growing up? 

I was blessed to have wonderfully supportive parents, both of whom were interested in the arts and fostering my creativity. From a very early age, I loved to read, and my parents — my mother especially — encouraged me to read anything and everything, no limits. (Note: I’m not sure Mom knew what all happened in Sidney Sheldon’s The Other Side of Midnight when I read it at age 13.) So I devoured all types of fiction all throughout my school years, which is the primary education a novelist needs.

Dallas appears in flashbacks as the place where Arlo, his family and his in-laws lived. You’re a fourth-generation native of Dallas through your mother’s family, so you know that our city has a certain image in pop culture. What do you know about your hometown that you wish more people knew?

 Dallas is more than cowboys and concrete and women with big hair. The city has an incredible mixture of people and outlooks. You can visit completely different worlds without leaving the county. The Korean section in northwest Dallas, Indian neighborhoods in Richardson, Little Vietnam in East Dallas, and the list goes on. And that’s before we get to the arts scene, which is robust and expanding every year.

Joyce Sáenz Harris is a Dallas freelance writer.

 

 

 

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By Joyce Sáenz Harris

Deborah Crombie, a native Texan who lives in McKinney, is the author of the popular Kincaid-James mystery series, which regularly appears on The New York Times‘ best-seller lists. The first novel was 1993’s A Share in Death; the new Kincaid-James novel, Garden of Lamentations, is the 17th in the series and will be published Feb. 7 by William Morrow.

 

Deborah Crombie 2017

Deborah Crombie at home in McKinney. PHOTO: Rex Curry, DMN

Crombie’s protagonists, Detective Superintendent Duncan Kincaid and his former investigative partner, now wife, Detective Inspector Gemma James, are senior officers at the Metropolitan Police, a.k.a. Scotland Yard. Besides their police work, the two detectives also share a home, friends, several cats and dogs, and a blended family of three children. 

All of Crombie’s novels take place in London and the United Kingdom, where she lived for a time. She spends part of each year there to absorb atmosphere, do research and begin drafting the next book in her series. Crombie regularly blogs with seven other women writers of crime fiction at jungleredwriters.com. She is an avid reader who enjoys “good old-fashioned mysteries” more than psychological suspense. She also has mastered the art of brewing a perfect cup of tea.

FGarden of Lamentationsans can hear her speak Feb. 7 at Barnes & Noble on Northwest Highway as she gears up for a multicity book tour. She spoke with us first, from her historic Craftsman cottage, which she shares with with a husband, three cats and “two very demanding German shepherds.”

While your novels are police procedurals, they are very much about the characters’ personal and work relationships, as well. Ever since your protagonists got romantically involved and then married, the story arc has gotten more complex. Did you always know Gemma and Duncan would end up together?

No, I didn’t know that when I started out. One of the interesting things in the series has been the decision to marry Duncan and Gemma, because it was such a big thing. I had a lot of soul-searching, a lot of people saying, “Oh, you’ll kill the series if you have them get married.” But I thought their [married] relationship was going to be interesting, and it was going to get more complicated.

I must admit I got a little nervous about the work-related strains in Duncan and Gemma’s marriage this time around. Was it important to show the toll that the job takes? Even when you have personal knowledge of the stress … 

It’s still not easy. Especially when your partner won’t share with you. And both of them are suffering from some degree of PTSD [from the previous book’s events]. There are only about three scenes where they’re together in this book. It was hard to write because of that. Everyone’s at cross-purposes.

What is it about Duncan and Gemma that keeps you coming back to their story? I assume it’s not just contracts and publisher’s deadlines. 

No, I really love them. I love not just Duncan and Gemma, but the whole cast; I love the kids, the dogs, the cats, and Doug and Melody and Hazel. It’s like a slice of life, where I’m just dropping in on them for a week.

Writing and researching these books is a meticulous process for you, isn’t it? 

This book absolutely took me two years to write. And it was 650 pages in manuscript! Luckily my editor, Carrie Feron, is just great. I’m a slow writer … and now they’ve stretched me out to two years on my deadlines, because I am so slow and they don’t want to put up with me being late. I’m still looking for the magic bullet after 25 years.

All mystery writers have a history with Sherlock Holmes. What’s yours? 

I started reading the stories as a teenager. Now I have a Sherlock story in the new Echoes of Sherlock Holmes collection (Pegasus Books, $24.95), and Jungle Red’s Hank Phillippi Ryan and Hallie Ephron are in there, too. This is the first thing I’ve ever written in first person, and it’s a completely different character that has nothing to do with my series. Mine’s not a period Sherlock story, it’s a future Sherlock, “The Case of the Speckled Trout.” John and Mary Watson’s daughter is 18, and Sherlock, who’s her godfather, has gone missing. So she’s determined to find him. She goes to Scotland to work in a hunting lodge and find Sherlock. And the daughter is named Sherry, after her godfather, Sherlock. It was great fun.

Who are your favorite writers, besides your Jungle Red crew?
My preference for teenage reading was more fantasy and imaginative literature, T.H. White and J.R.R. Tolkien. If it had occurred to me that I’d grow up and be a writer, I probably would have thought that would be the kind of thing I would write.

Now, I’m a huge fan of Charles Todd. I love Louise Penny’s books; I love Laurie R. King’s Mary Russell books. I’m a huge fan of Jim Butcher’s Harry Dresden books. And I’m a huge fan of Ben Aaronovitch’s Rivers of London books. They’re set mostly in London, and they’re police procedurals, but there’s magic. That kind of goes back to my fantasy thing — everything I love.

Joyce Sáenz Harris is a Dallas freelance writer.

Garden of Lamentations
Deborah Crombie
(William Morrow,  $26.99)

 

 

 

 

 

 

 

 

A Friend of Mr. Lincolnhttp://www.dallasnews.com/lifestyles/books/20160129-fiction-a-friend-of-mr.-lincoln-by-stephen-harrigan.ece

A Friend of Mr. Lincoln marks a departure for the Austin-based writer. Just like his other books, this one quickly engages the reader’s imagination with its deep perspective, rich historical authenticity and a lively cast of striving, imperfect humans.

By Joyce Sáenz Harris
Special Contributor

Of all American presidents, Abraham Lincoln is the one most often accorded something like reverence. Most of us were taught a grade-school version of his life that sketches his triumph over crushing backwoods poverty, his moral conversion to abolitionist beliefs, and his rise to become Father Abraham, the Great Emancipator, savior of the Union and martyr to the cause of freedom.

But in Stephen Harrigan’s splendid new novel, A Friend of Mr. Lincoln, we meet a very different Honest Abe. This young Mr. Lincoln is a politically ambitious but socially awkward frontier lawyer of the 1830s and ’40s, one who often falls victim to “the hypo,” meaning depression and anxiety. He is driven by his concept of honor as if by Furies, yet he also relishes using his mercilessly sharp tongue to win at the law or the ballot box. He hates slavery but doesn’t really believe in racial equality. He tells terrible, ribald jokes. He is a fatalist, wise as a serpent and innocent as a dove.

A Friend of Mr. Lincoln is written from the third-person viewpoint of Micajah “Cage” Weatherby, who meets the future president as a roughhewn youth during the Indian wars and later becomes one of Lincoln’s bachelor cronies in Springfield, Ill. (Given that Harrigan wrote the superb historical novel The Gates of the Alamo, it may be no coincidence that “Micajah” also was the first name of an Alamo defender.) Cage Weatherby is a fictitious character, but Harrigan inserts him neatly and believably into Lincoln’s social circle of real-life Springfield friends such as Joshua Speed and Billy Herndon.

Lincoln takes an immediate liking to Cage, in awe that he is a published poet who has traveled to Europe. Cage, meanwhile, knows there is something special about his new friend, no matter that Lincoln is shabbily dressed, reedy-voiced and awkward as a young stork. Ambition burns inside this man, Cage realizes, and he senses that Lincoln is destined for some sort of greatness: “Lincoln was a man people tended to develop a deepening fascination with.” Yet for all the camaraderie they share, Harrigan’s Lincoln remains a riddle even to his best friends.

“The interesting thing about Lincoln,” Joshua Speed remarks to Cage, “is that he’s both the most public man and the most private man I’ve ever known. He has to hover rather precisely between the poles of his personality. Any deviation might pull him apart.”

The turning point in the men’s friendship comes when Kentucky belle Mary Todd arrives in Springfield in 1838. Lincoln is bowled over by the fact that “she knows Henry Clay! She lived only a few miles from him in Lexington and used to visit him as a girl. … It’s like living down the road from George Washington!”

Cage can’t imagine that the refined Todds would ever consider the rustic Lincoln as a possible suitor: “The union of Abraham Lincoln and Mary Todd was as unlikely in theory that night as it would later prove to be in reality.” But Mary is one of those people with a deepening fascination with Lincoln, and like Cage, she senses his potential for greatness.

Lincoln, in turn, knows he needs a political helpmate, and Mary is perfect on paper: a skilled hostess with charm, useful connections and an astute, calculating mind. Nevertheless, Lincoln is reluctant to commit, and the courtship is a long, rocky one. Cage’s efforts to support his friend end up backfiring, and he learns firsthand just how vindictive Mary Todd Lincoln can be.

Harrigan’s previous novels all have been set in Texas, so A Friend of Mr. Lincoln marks a departure for the Austin-based writer. Just like his other books, this one quickly engages the reader’s imagination with its deep perspective, rich historical authenticity and a lively cast of striving, imperfect humans. His Lincoln is one of them: a young man subject to the same torments, infatuations, ambitions, enthusiasms and sexual appetites as other young men. But unlike the others, he is peculiarly fated to become a tragic, heroic figure whose best speeches are the immortal poetry he yearned to write.

After a century and a half, he also remains America’s most beloved enigma. That homely face and those weary gray eyes guard a well of secrets so unfathomable that we, even as friends of Mr. Lincoln, have yet to plumb its depths.

Joyce Sáenz Harris is a Dallas freelance writer.

Plan your life

Stephen Harrigan will speak Thursday, Feb. 4 at Highland Park United Methodist Church, 3300 Mockingbird Lane, Dallas. The 7 p.m. talk is free; a 6 p.m. reception, which includes a signed book, is $30. Register at hpumc.org/ or 214-523-2240.

A Friend of Mr. Lincoln

Stephen Harrigan

(Knopf, $27.95)

Available Tuesday, Feb. 2.

http://www.dallasnews.com/lifestyles/books/20150424-women-who-beat-long-odds.ece

By JOYCE SÁENZ HARRIS

Special Contributor
Published: 24 April 2015 10:49 PM

Three historians at three North Texas universities are responsible for organizing Texas Women: Their Histories, Their Lives. While one might expect that this book would come from a Texas university press, editors Elizabeth Hayes (University of North Texas), Stephanie Cole (University of Texas at Arlington) and Rebecca Sharpless (Texas Christian University) explain in the preface that the University of Georgia Press already had a history series called Southern Women: Their Lives and Times, a natural fit for the book they wanted to write.

Texas Women is written as a clear, concise narrative, starting in colonial times with chapters on the influences of American Indian women who lived in what would become Texas; Mexican women who settled in Texas when it was still part of New Spain; women of the Texas Republic; enslaved women of antebellum times; and Texas women of the late 19th and early 20th century, with emphasis on the struggle for women’s suffrage, legal rights, health care, access to education and professional standing.

Under Spanish law, which carried over to Mexico when it became independent, “Spanish women had rights,” writes Jean A. Stuntz of West Texas A&M University. “Indeed, even a poor servant woman had the right to file suit. Her marital status was not mentioned because it was not important.” One key difference between Spanish and English cultures: “Spanish women did not take their husbands’ names upon marriage. … A woman’s name and her legal identity did not disappear upon marriage, as they did in Anglo America.” Castilian imperial law followed the Spanish conquest into Mexico and thence to colonial Texas.

Dallas readers will be particularly interested in “Latinas in Dallas, 1910-2010,” by Bianca Mercado, a UNT postgraduate and a doctoral candidate at Yale who is completing a dissertation on Mexican communities and urban redevelopment in Dallas. This chapter includes stories of Anita N. Martinez, Adelaida Cuellar, Maria Luna, Faustina Martinez, Lena Levario, Diana Orozco and other women who pushed beyond cultural barriers and helped bring their families to prominence in Dallas business and politics.

Two other Dallasites merit their own chapters in Texas Women: Julia Scott Reed and Hermine Tobolowsky.

Reed was an experienced journalist who in 1967 became the first African-American writer hired full time at a major daily newspaper in Texas. She was a columnist for The Dallas Morning News. W. Marvin Dulaney, history department chair at UTA, tells how Reed brought a new breadth and depth to The News’ coverage of the black community in Dallas. Her column, “The Open Line,” ran three times a week from July 1967 until December 1978, when a stroke ended her career. She wrote “more thorough coverage of people, events and issues in the local African-American community than most of the nation’s newspapers had previously provided,” Dulaney writes. “In short, she presented a view of Dallas’ African-American community of which most whites had no awareness or understanding.”

Tobolowsky, a Dallas lawyer, was a driving force behind the Equal Rights Amendment. According to historian Nancy E. Baker of Sam Houston State University, “Unlike the majority of states that ratified the federal ERA, Texas had a vigorous pro-ERA movement dating back to the late 1950s, thanks in large part to Hermine Tobolowsky” and the Texas Business and Professional Women’s efforts to obtain a state equal rights amendment. While Tobolowsky “avoided the appearance of radicalism at all times,” she emphasized that legal sexual equality would benefit everyone, men as well as women.

Other prominent Texans profiled in Texas Women include politician Barbara Jordan, astronaut Mae Jemison, peace activist Casey Hayden, and the Houston Post’s Oveta Culp Hobby, who led the Women’s Army Auxiliary Corps during World War II and was appointed the first secretary of Health, Education and Welfare by President Dwight Eisenhower. It is astonishing to realize, by the way, that there is no full-scale biography of Hobby, who was probably the most influential Texas woman of the mid-20th century. (The only biography of her that is available is one written for younger readers.)

Texas Women is heavily footnoted, but it isn’t ponderous. For anyone interested in the real women who built Texas while struggling against long odds, it is revelatory reading.

Joyce Sáenz Harris is a Dallas freelance writer.

Texas Women: Their Histories, Their Lives

Edited by Elizabeth Hayes Turner, Stephanie Cole and Rebecca Sharpless

(University of Georgia, $32.95)